Creative Skillset Job Roles

Creative Skillset Jobs Roles
James Cross
Information taken from ww.creativeskillset.org
Compositor
2D computer animation | 2D drawn animation | 3D computer animation | Stop Motion
  • Constructs the final image by combining layers of previously made material, including special effects, graphics, 2D animation, live action and static background plates and rendered computer animation
  • The role fits in the creative animation and visual effects industry
  • Responsible for thoroughly understanding the computer-generated animation process and having the relevant artistic skills
  • The best pathway leading to the role is most likely to enter the compositing department and become a Roto Artist then work your way up
  • Alternatively, you could gain an understanding of compositing in layers for 2D Animation by using programmes such as Adobe After Effects
  • There are lots of levels in the compositing department and the role described here is in the mid level of compositing
  • Also you could apply to become a VFX Trainee through Trainee Finder, this gives you a practical hands on experience in the industry helping you build all-important contacts that are essential when competing for a job
  • If you have the right talent and skills, you could progress to become a Sequence Head, a Senior Compositor or a Compositing Supervisor
  • From this if you excel, you could try to become a VFX Supervisor
 
Armourer
Art Department
 
  • Deal with the use of weapons and firearms on film sets
  • Make sure weapons are used legally, safely and correctly
  • Carry out risk assessments and safety briefings
  • Must be licensed and on set when weapons and firearms are used, to meet legal requirements
  • Check the script, working with the Producer, Director and Properties Master, to put together a list of weapons needed
  • Research the style of weaponry according to the period and type of film
  • Consult with the Production Designer and the Prop Maker on the design of any tailor-made weapons
  • Advise on the legal requirements of relevant firearm laws, and produce a full risk assessment.
  • Responsible for contacting the police to get the appropriate permissions if a scene is shot outside of the studio
  • Sourcing weapons needed either hiring them from a licensed Armoury, or using their own
  • Setting up a safety brief of controls for the Actors and crew.
  • They explain safe distances and areas, and draw up an On Set Code of Practice
  • Teach Actors in the correct use of the firearms, explaining possible dangers
  • Help on choreographing any gunfire action sequences
  • Make sure that any firearms are locked in a secure case when not in use  
  • Experience is required in the Props Departments of film productions, and an apprenticeship with an experienced Armourer. You can also move into this role from a background in the military or police
  • Needs many years of training and experience in the safe handling of weapons in both cases
 
Greensmen
Art Department
 
  • Ordering, placing, and maintaining vegetation on film sets
  • Building landscapes in a studio and dressing landscapes or greening interiors in different styles and periods
  • Needs to have a in-depth knowledge of plants and good attention to detail
  • Needs an eye for creating realistic natural environments
  • Need good creative problem solving skills
  • Needs to be able to work quickly and under pressure and be physically fit
  • Needs 2some specialist skills such as masonry, woodwork, or making artificial foliage
  • Requires understanding of the relevant health and safety laws and procedures
  • You won’t find a set route for promotion within the Art Department,  but you will benefit from getting experience in a related horticultural area such as landscape architecture, tree surgery, forestry or gardening

Prop Maker
Art Department
  • Making props for the property department
  • Adapting or modifying bought-in props
  • Needs a wide knowledge of the basics of prop making and good knowledge of computer design packages
  • Requires work to be carried out safely with materials like fibreglass, latex, foam and polystyrene
  • Competent in working with a variety of different machinery and tools
  • Needs specialist skills such as sign writing, upholstery, sculpture, casting, furniture making and need to be flexible and versatile
  • Needs to work with imagination and ingenuity and be open to learning new skills and techniques
  • Be able to work to external deadlines and be able to work on your own initiative
  • Requires awareness of relevant health and safety laws and procedures
  • May need more specialized training in areas like graphic design
 
Location Manager
Locations | Production
 
  • Finding ideal locations for a film shoot
  • Negotiating fees, terms and permissions
  • Managing the location during the shoot
  • Needs plenty of initiative and be able to visualize and find potential locations
  • Requires excellent organizational skills good negotiating skills
  • Requires an understanding of location fees and be able to work within budgets
  • Understand contracts and local authority processes for permits
  • Requires good problem solving and communication skills and needs to be reliable and enthusiastic, flexible and able to work long hours
Requires a full driving licence and good working knowledge of health and safety requirements

 
Task 6
The top 5 job roles I would like to lead in to within the film and television sector are Visual Effects Supervisor, Lighting Technician, Producer, Director and Storyboard Artist.
Director

  • The driving creative force in a film's production - visualizing and defining the style and structure of the film, then bringing it to life
  • Carrying out duties such as casting, script editing, shot composition, shot selection and editing
  • Requires exceptional artistic vision and creative skills and unerring commitment
  • Need to delegate and collaborate with others and have excellent communication and interpersonal skills
  • Able to work intensively for long hours and pay attention to detail
 
 Visual Effects Supervisor
  • Evaluation of which part of a production will need visual effects
  • Making sure the VFX shots are filmed correctly on set
  • Negotiation with the production crew and budget to discuss the workability of the VFX work
  • Leading a team of artists to see the final VFX shots to fulfillment
Storyboard Artist
  • Illustration of the narrative, planning shots, and drawing panels to demonstrate action and maintain continuity between scenes of an animation
Producer


  • To turn story ideas into profitable films
  • To put together a creative and talented cast and crew
  • To be responsible for all aspects of a film's production


  • Lighting Technician


  • Look after lighting equipment on a film set, or on location
  • Help with the power supply
  • Help to set up lighting equipment


  • I would utilise these skills within the college TV Production by putting my creative mind and leadership skills to produce a great TV production and delegate the best people to suit the various roles in a production. 

    Conduct research into your top 5 job roles for the film and television sector.
     
    In a word document explain the types of skills you will require to work within each of your 5 positions and how you would utilise those skills within the college TV production. 

     

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